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International Edition
May 16, 2012 Last Updated: 5:10:PM EDT

Diller, Scofidio + Renfro Tapped to Build a "High Line" for Scotland

Diller, Scofidio + Renfro Tapped to Build a "High Line" for Scotland

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Courtesy of Malcolm Reading Consultants
Diller Scofidio + Renfro's winning proposal for the Aberdeen City Garden project
: 
by Janelle Zara
Published: January 19, 2012

New York architects Diller, Scofidio + Renfro are on their way to becoming international superstars, having just trumped Foster + Partners, Snøhetta, and other formidable adversaries to win the Aberdeen City Garden Project design competition for a new park and cultural center in Scotland. 

It’s a major jump across the pond for DS+R: While they’ve got extensive projects going on in the States, this is their first major European commission, not to mention a triumph over starchitect Norman Foster.

"The runner-up concept by Foster + Partners was outstanding, elegant and thoughtful, but did not, in the end, persuade the Jury that it could match the promise of connectivity, excitement and spatial diversity of the winning scheme," said competition organizer Malcolm Reading, Bustler reported. The winning design also took into account cost and viability — and offered the tantalizing possibility of being for Aberdeen what the High Line, DS+R's beloved elevated park in Manhattan, did for Chelsea.

‘This is a design that can act as the catalyst to regenerate the whole of Aberdeen’s city center with significant economic impacts for the entire city," said jury member and urban planning writer Charles Landry. "Truly inspiring, it can put Aberdeen onto the global radar screen. Without this type of transformational change, Aberdeen will struggle to meet the challenges it will inevitably face in the future.” 

It’s a fabled and oft-pursued “Bilbao Effect,” or in this case, High Line effect, that we strongly caution against. Recent failures to create this coveted tourist-draw include Oscar Niemeyer’s shuttered cultural center in Spain, and Rafael Viñoly’s critically pummeled “Golden Banana” in Colchester, England. Charles Renfro said it himself: "Everybody thinks that they can put a Bilbao up, y’know, a copy. I don't see how these cities could think that just having an elevated train line makes for a success — the kind of success we've seen with the High Line."

Their plans, drawn up in collaboration with Scottish architects Keppie Design and Philadelphia-based landscape architects Olin, take their inspiration from a game of cat’s cradle, evident in the “Granite Web,” as it’s now being referred. It’s both a cultural center and an outdoor space, with elevated, criss-crossing walkways passing over vast expanses of greenery. The plaza below will be used for exhibitions, events, and performances, or just a good lie in the grass in the middle of the afternoon. 

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by Janelle Zara,Architecture & Design, Architecture,Architecture & Design, Architecture
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by Jaco Justice on January 20, 2012 at 7:01am

It should be pointed out that Union Terrace Gardens in Aberdeen - the site where this project is ear marked - IS already a park. And a beautiful, Victorian one at that. The new, attempted* development (spear-headed by a billionaire, oil tycoon who's offering £50mil) isn't trying to replace and re-energise a heavily industrialised area. Albeit there is a rather unsightly rail line and road in the valley that marks a slight similarity between this and High Line.

*There is still to be a public referendum on whether the citizens of Aberdeen actually want this 'winning' design, which wasn't the most popular from the media's public polls at the exhibition for the six, short-listed plans. There has also previously been a 'consultation' on whether this project should even be looked into, with the majority of people saying no.

And regarding "trumping" Foster's design. This was great for Sir Ian Wood's (see oil tycoon above) press headlines that such a global, architectural overlord was in the close running but in reality Foster's proposal was NEVER going to be a genuine contender. The design they put forward didn't fit into Wood's 'only transformational' agenda. The plans even suggested that it could have been a design built in tandem with 2008's Peacock Visual Arts/Brisac Gonzalez led project for a new arts and community centre in the gardens that had full planning consent and the vast majority of £13mil funds in place. The architects (BG) had designed the structure to be entirely sympathetic to the garden's existing topography (see image linked below) and allowed better/safer access to all - a mission statement to the NYC's High Line I would presume.

http://www.e-architect.co.uk/images/jpgs/aberdeen/peacock_visual_arts_b1...

It should also be noted that with this new 'winning' plan there has been NO ACTUAL confirmation of what the plaza would contain apart from some 500 car-parking spaces in the bowels. Now that's what you call vision, eh?

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